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ESAP
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DEPARTMENTS
ArchitectureVisual ArtsTheatre and CinemaAutonomous Section of Theory and History
SERVICES AND ACADEMIC INFORMATION
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ONLINE SERVICES
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INTERNACIONALIZAÇÃO
ErasmusConsortiaStrategic Partnerships
Organizational ChartContacts
BACHELOR DEGREE
Cinema and AudiovisualCommunication DesignComics and Graphic StorytellingFine Arts and IntermediaTheaterVisual Arts – Photography
MASTERS
Architecture – Integrated MasterVisual Arts. Artistic Practices and ResearchDirecting – Cinema and Television
POSTGRADUATE STUDIES
AdvertisingArt DirectionComicsContemporary ArtCurating, Urban Culture and Spatial PracticesDigital Arts and New Media Performance, Choreography and Expanded PracticesFilm ProductionScreenplay for Cinema and Fiction SeriesSelf-publishingSound Art and Media ArtSustainable ArchitectureVisual Arts and Research
RESOURCES
RepositoryESAP libraryOnline libraryDatabases
DEGREE
Fine Arts and IntermediaVisual Arts – PhotographyCinema and AudiovisualComics and Graphic Storytelling Communication DesignTheater
Advertising Art DirectionComicsContemporary ArtCurating, Urban Culture and Spatial PracticesDigital Arts and New Media ⭐️Film Production Performance, Choreography and Expanded PracticesScreenplay for Cinema and Fiction SeriesSelf-publishingSound Art and Media ArtSustainable ArchitectureVisual Arts and Research
UNITS
Centro de Estudos Arnaldo Araújo e Laboratório and Investigação em Arquitetura e Design
PROJECTS
Ongoing projects Closed projects
Funding
PERSONA #3 – ARTE E DESENVOLVIMENTO HUMANO
Persona – Revista do Departamento de Teatro e Cinema da ESAP, 2015 Editor convidado: José Eduardo Silva https://persona-esap.weebly.com/nuacutemero-3.html
Índice
EDITORIAL | José Eduardo Silva
O PARADOXO SOBRE O ACTOR NA PRÁTICA TEATRAL | Ângela Marques IDENTIDADE EXPRESSIVA DO ATOR: A EXPERIMENTAÇÃO POÉTICA DE SI … | Celeia Machado
A EVOLUÇÃO NORMATIVA E O CONDICIONAMENTO DA PRODUÇÃO CINEMATOGRÁFICA | Eduardo Margarido
PROCESSOS DE CRIAÇÃO COLABORATIVA… | Marta Leitão, Larissa Latif e Maria Manuel Baptista
O CINEMA COMO EDUCAÇÃO SOCIAL DOS SENTIDOS | Sérgio Dias Branco
O TEATRO E A EMERGÊNCIA DE UMA NOVA DIDÁTICA PARA … | Artur Manso e Miguel Jorge Peixoto
A ARTE COMO VEICULO: PARA QUE SERVE UMA PERFORMANCE SEM ESPECTADORES | José Filipe Pereira
THE FELDENKRAIS METHODE AND COMUNITY THEATRE: A VIABLE SYNERGY? | Claire Bynion
SOBRE A PROMENADE: PRODUÇÃO & ACESSO / ESPAÇO & OBJECTOS | Inês Alves
TRINTA E DOIS ANOS, ONZE TÓPICOS E UM PACTO DECLARADO AOS TRINTA E UM | Tales Frey
ENTREVISTA | Jacinto Lucas Pires