Bachelor degree Course, of university level, in compliance with the Bologna Process, according to the Dispatch n. º 9896/2016, published in the ‘Diário da República’, 2nd series, n. º 148, of August 3, 2016.
The Cinema and Audiovisual bachelor degree presents itself as an open educational path, with the cinematographic process explored in the scope of the artistic practice and in the production of experimental works. With this bachelor degree, of universitary level, it is intended to train qualified filmmakers and / or specialists in the areas transversal to the practice of cinema. The syllabus is broad enough to allow a multiplicity of professional exits in accordance with the acquired learning, namely: artist, film or television director and / or directing professional , production, camera operation, editing sound and post production.
The student also acquires competences that allows to continue in a path in the scope of the research.
SCIENTIFIC AREA | ACRONYM | MANDATORY CREDITS | OPTIONAL CREDITS |
---|---|---|---|
Cinema and Audiovisual | CAV | 132 | |
HISTORY OF ART | HA | 15 | |
THEORY AND CRITICISM OF ART | TCA | 15 | |
SOCIAL SCIENCES | CS | 6 | |
THEATRE | TEA | 3 | |
OPTIONAL | 9 | ||
TOTAL | 171 | 9 |
CURRICULAR UNITS | SCIENTIFIC AREA | TYPE | TOTAL | CONTACT | CREDITS |
---|---|---|---|---|---|
HISTORY OF ART I | HA | S1 | 75 | T: 30 OT: 15 | 3 |
AUDIOVISUAL EXPRESSION | CAV | S1 | 225 | P: 30 TP: 30 | 9 |
TELEVISION PRACTICES | CAV | S1 | 150 | P: 60 | 6 |
HISTORY OF CINEMA | HA | S1 | 75 | T: 30 | 3 |
NARRATIVE STRUCTURES | CAV | S1 | 150 | TP: 60 | 6 |
ART AND PSYCHOLOGY | CS | S1 | 75 | T: 30 OT: 15 | 3 |
HISTORY OF ART II | HA | S2 | 75 | T: 30 OT: 15 | 3 |
THEORY AND PRACTICE OF EDITING | CAV | S2 | 225 | TP: 60 | 9 |
THEORY OF COMMUNICATION | TCA | S2 | 75 | T: 30 | 3 |
AUDIOVISUAL LABORATORY I | CAV | S2 | 225 | PL: 75 | 9 |
ART AND SOCIETY | CS | S2 | 75 | T: 30 OT: 15 | 3 |
ACTORS DIRECTION | TEA | S2 | 75 | TP: 30 | 3 |
CURRICULAR UNITS | SCIENTIFIC AREA | TYPE | TOTAL | CONTACT | CREDITS |
---|---|---|---|---|---|
HISTORY OF ART III | HA | S1 | 75 | T: 30 OT: 15 | 3 |
CINEMATOGRAPHY | CAV | S1 | 225 | TP: 60 | 9 |
FILM ANALYSIS | CAV | S1 | 75 | T: 30 | 3 |
DIRECTING I | CAV | S1 | 225 | P: 45 TC: 30 | 9 |
PRODUCTION I | CAV | S1 | 75 | TP: 30 | 3 |
OPTION | S1 | 75 | 3 | ||
SCRIPT THEORY AND PRACTICE | CAV | S2 | 150 | TP: 45 | 6 |
DIRECTING II | CAV | S2 | 225 | P: 45 TC: 30 | 9 |
SOUND LABORATORY | CAV | S2 | 75 | PL: 45 | 3 |
CONTEMPORARY ART TRENDS | TCA | S2 | 75 | T: 30 OT: 15 | 3 |
AUDIOVISUAL LABORATORY II | CAV | S2 | 150 | PL: 30 | 6 |
OPTION | S2 | 75 | 3 |
CURRICULAR UNITS | SCIENTIFIC AREA | TYPE | TOTAL | CONTACT | CREDITS |
---|---|---|---|---|---|
AESTHETICS | TCA | S1 | 75 | T: 30 OT: 15 | 3 |
CONSTRUCTION AND ANALYSIS OF SOUNDTRACK | CAV | S1 | 150 | PL: 60 | 6 |
HISTORY OF PORTUGUESE CINEMA | HA | S1 | 75 | T: 30 | 3 |
PROJECT I | CAV | S1 | 225 | TP: 45 | 9 |
POST-PRODUCTION | CAV | S1 | 150 | TP: 45 | 6 |
OPTION | S1 | 75 | 3 | ||
CINEMATOGRAPHIC DOCUMENTARY | CAV | S2 | 150 | T: 60 | 6 |
CINEMA THEORIES | TCA | S2 | 75 | T: 30 | 3 |
AESTHETICS OF CINEMA | TCA | S2 | 75 | T: 30 | 3 |
PROJECT II | CAV | S2 | 225 | TP: 75 | 9 |
INTERNSHIP | CAV | S2 | 225 | E: 105 OT: 30 S: 15 | 9 |
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