The Post-Graduation in Sound Art and Media Art aims to equip students with the following knowledge and skills:
a) Provide in-depth knowledge of technical skills, languages, genres, concepts, theoretical directions, methodologies and research sources in the field of sound art;
b) Enable a thorough approach to the academic and historical fields of sound art from a technocultural perspective;
c) Acquire skills that enable lifelong learning and autonomy in decision making regarding the technologies and methodologies to be applied in an informed process of production and creation;
d) Provide formal and technical knowledge, in the conceptual and technological domains, in relation to sound, technology, means of production and experimentation;
e) Master the knowledge in sound art that allows the attainment of the necessary skills for a qualitative intervention in the areas of artistic practice, production, research, teaching, analysis, and programming.
*The timetable will be arranged according to the preference of the majority of students.
| Área Científica | Sigla | Créditos Obrigatórios | Créditos Optativos |
|---|---|---|---|
| SOUND ART | TP | 60 | |
| TOTAL | 60 |
| UNIDADES CURRICULARES | ÁREA CIENTÍFICA | TIPO | TOTAL | CONTATO | CRÉDITOS |
|---|---|---|---|---|---|
| HISTORICAL PERSPECTIVES ON SOUND ART | TCA | S1 | 250 | T:30 OT:15 | 10 |
| SOUND PRODUCTION: RECORDING AND DIGITAL SOUND PRODUCTION | TP | S1 | 250 | T:30 OT:15 | 10 |
| SEMINARS | TCA | S1 | 250 | S:45 | 10 |
| LAB I - SOUND ART | TP | S2 | 250 | T:30 OT:15 | 10 |
| SEMINARS II - PRODUCTION | TCA | S2 | 250 | S:45 | 10 |
| LAB II - SOUND PRODUCTION | TP | S2 | 250 | T:30 OT:15 | 10 |
In addition to the teaching staff listed below, the course will include a significant number of professional and academic guests recognised in the field of Sound Art.
Faculty: André Rangel, Eduarda Neves, Hugo Paquete, Jaime Reis, João Cruz, Jorge Miguel Santos, Luis Antunes Pena e Maite Camacho.
To view the complete regulation, download the PDF.
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